摘要
传统大小调音乐的律制 ,长期以来都被理论家们分析为纯律 ,也有多声音乐采用纯律、单声音乐采用五度相生律的观点。然而实际的音乐现象并非如此。传统大小调体系音乐的律制问题 ,从自然规律出发 ,运用新的观点 ,对传统大小调的律制进行了详细分析 。
For years most music theorists regard the tuning system of traditional major-minor mode as just intonation. Also some theorists hold the view that many-voice music employs just intonation while monophony employs the circle-of-fifths system. However, the musical phenomenon is not necessarily the case. The tuning system of traditional major-minor mode, based on the natural law and deep analysis of traditional tuning system, provides the scientific explanation for the pitch producing in the major-minor mode music.
出处
《贵州大学学报(艺术版)》
2002年第4期56-65,共10页
Journal of Guizhou University Art Edition
关键词
音乐
作曲理论
律学
music, composition theory, temperament.