摘要
“死神舞蹈”原为艺术史上中世纪的绘画题材 ,后经过作曲家们的加工发展被创造性地运用到音乐作品中 ,作为重要的音乐题材。同为浪漫主义时期杰出代表作曲家李斯特与圣 -桑都曾用“死神”作为创作的主题 ,各自谱写出了杰出的交响音乐作品———《死神之舞》。这两首具有相同标题的交响性音乐作品取材来源及音乐材料是否也具有某些相似之处 ?
Danse macabre' was originally created from a painting of the Middle Ages in arts history. The composers creatively used it in musical works as important musical themes by developing and processing it. Both Liszt and Saint-Saens, the great famous composers in the Romanticism Times, once used macabre as their creative themes. Each composed a prominent symphonic work with the same title - DANSE MACABRE Are the two works similar in meaning? It is worth discussing.
出处
《贵州大学学报（艺术版）》
2002年第4期68-71,共4页
Journal of Guizhou University Art Edition
关键词
死神之舞
题材
音乐材料
主题
Danse Macabre
source of material
music material
themes
