摘要
海派摄影一直被冠以中国摄影中的另类 ,它保持着对技术的发展的理性的克制态度和对单纯的、平民化的”真实的现象”传递的特征 ,在海派摄影家看似平淡的影象后面 。
The Hai Style of photography is always looked upon as another school in Chinese photography. It keeps its attitude towards the intellect development of techniques and keeps its simplex and popular characteristics of communication of 'the true phenomenon'. Behind the images of the Hai Style that seems very ordinary, the inner mental conflict and the strong sense of social responsibility are contained.
出处
《贵州大学学报（艺术版）》
2002年第4期88-90,共3页
Journal of Guizhou University Art Edition
关键词
精神理想
移情
抽象
自我异化
spiritual ideal
empathize
abstract
dissimilation
