中国20世纪30年代小品文创作的“趣味”趋向

On the Taste Tendency Manifested in Essay Writing in 1930s China

透过中国20世纪30年代小品文创作“趣味”趋向背后的“人间味”,对创作主体的矛盾心态——表面冲淡闲适、雍容典雅,内心却在出入世、历史与现代的双重煎熬中苦痛与寂寞着——进行了剖析。“趣味”趋向架起创作主体回归传统的桥梁,而“人间味”则体现了作者情感与理智的不统一。

Through an analysis of the taste of man’s life manifested in the taste tendency of the essay writing, this paper studies the contradictory and tortured minds of the scholars in 1930s China. They seemed to lead a leisurely, comfortable and graceful life, but inwardly suffered the painful choice of an active political careers or a hermetic life, faced the double slings of historical and modern responsibilities, and experienced extreme solitude. The taste tendency serves as the bridge for the return of the main body writing to the literary tradition whereas the taste of man’s life reveals the split of the writers’ sense and sensibility.