摘要
20世纪30年代中国电影成功的主要原因是找到了适合中国社会发展需要的电影观念,袁牧之是 促进中国电影观念成熟的代表人物。他的电影观念代表了平衡的综合的电影观基本成形,即把电影作 为一种进步文化,体现出思想性、艺术性、观赏性统一。
The success of Chinese films in the 1920' s and 1930' s is mainly a result of the correct conception of films that met the needs of the social development of the time. Yuan Muzhi is a representative of the people who promoted the growth of the conception. According to Yuan, film should be an integrity of advanced culture, progressive thoughts, art and entertainment.
出处
《宁波大学学报（人文科学版）》
2005年第1期36-40,共5页
Journal of Ningbo University：Liberal Arts Edition
关键词
袁牧之
电影观念
思想性
艺术性
观赏性
综合性
Yuan Muzhi
progressive thoughts
art
entertainment
comprehensiveness
