摘要
After the Han Dynasty, tile end decorating art passed through a great change, especially in South China during the Six Dynasties period. In this phase, tile-ends were decorated with three major motifs: the cloud, animal-mask and animal designs. The first type of tile-end shows a close relationship with cultures in the Central Plains, while the second and third types exhibit chiefly elements of the South China style and character. Based on available archaeological data, the present paper divided them into four stages, and studies their relationship with their counterparts in the Central Plains of the Wei, Jin and Northern Dynasties period. It comes to the conclusion that, as the forerunners of the tile-ends with animal-mask and lotus-flower designs, they exerted a profound influence upon tile-end decorating art in the Sui, Tang and still later periods.
After the Han Dynasty,tile-end decorating art passed through a great change,espe- cially in South China during the Six Dynasties period.In this phase,tile-ends were decorated with three major motifs:the cloud,animal-mask and animal designs.The first type of tile-end shows a close rela- tionship with cuhures in the Central Plains,while the second and third types exhibit chiefly elements of the South China style and character,Based on available archaeological data,the present paper divided them into four stages,and studies their relationship with their counterparts in the Central Plains of the Wet,Jin and Northern Dynasties period.It comes to the conclusion that,as the forerunners of the tile-ends with animal-mask and lotus-flower designs,they exerted a profound influence upon tile-end decorating art in the Sui,Tang and still alter periods.
出处
《考古》
CSSCI
北大核心
2005年第3期65-72,共8页
Archaeology