论王弼之“无”的美学意蕴

The Aesthetics Meaning of Wang Bi's "Non-being"

王弼哲学的本体是"无"。"无"对中国美学的一个基本意义在于,从思想上使人的觉醒成为可能,由此,又使文的觉醒成为可能。意境是中国美学中的一个核心概念,意境具有超越性,即从"实"入"虚"、从"有"入"无"、从有限入无限的超越。这种超越性也是王弼之"无"所具有的,二者之间应当有内在联系,"体无"是王弼哲学的一个重要范畴,"体无"之"体"对审美之"体"具有内在的影响。

The essence of Wang Bi's philosophy is non-being. The meaning of 'non-being' makes the awakening of man possible, and furthermore, makes the awakening of literature and arts possible. Mood, as a core concept in Chinese aesthetics, has transcendence from concrete to abstract, from existence to non-existence and from finite to infinite. It also has a character of 'non-being' and there must be an inner connection between them. The experience of 'non-being', as part of Wang's philosophy, has inner influence on the experience of beauty.