数据透视:满族音乐研究二十年

Research of Man Nationality Music during 20 years

满族音乐研究的历程,始终沿着民族音乐学在我国传播、发展的踪迹而前行。开拓时期的满族音乐研究成果主要体现在"为创作服务"上;繁荣时期的满族音乐研究突破了以往的学术传统,注重音乐与其生成,传播、消亡等相关之文化背景的研究。因之,满族音乐研究不仅能够为音乐创作提供技术性的服务,而且将音乐研究的目的和意义提升到更为广阔的理论范畴中,在人文科学的高度上拓展自己的认识空间,使濒于灭绝境地的满族音乐文化不断得到有效的解读。本文运用数据统计的方法,对20多年来满族音乐研究的历史作了学术性的分析;同时,对发展时期的满族音乐研究方向以及相关的研究方法等问题提出了探索性的看法。

The research of the Man nationality music has developed along with the progress of Chinese national musicology. The results of the research in the early period were its 'serving creation'. And in the prosperous period, the tradition was broken through and the research of music and its cultural background began to be focused on, like its composing, spreading and disappearing. The author analyzes academically the history of the research of the Man nationality music during 20 years in the data statistic way and offers his viewpoint on the direction and way of the research of the Man nationality music.