摘要
寒山是日本镰仓时代以来绘画艺术家最注重表现的宗教人物之一,无论早期禅家 寺院还是现代学院派创作,都产生了很多极富艺术价值的作品。考察日本寒山题材绘画的创作渊 源,既要注重寒山诗在域外的影响,同时应当重视寒山传说的传播以及宋元寒拾画的范本意义。
Han-shan, or Kangzan in Japanese,as one of the key religious figures that Japanese painters have chosen to depict since the Kamakura period (1185-1333 C.E.), has been the focus of many significant works of art by either ancient Zen Buddhists or modern scholars. In tracing the origin of the paintings related to Han-shan, attention should be paid to the impact of Han-shan poems outside China and to the spread of the Han-shan legends, his inseparable companion Shih-te, and the exemplary significance of their paintings in the Song and Yuan Dynasties.
出处
《文艺研究》
CSSCI
北大核心
2005年第3期104-111,共8页
Literature & Art Studies
