摘要
肖斯塔维奇的《24首前奏曲与赋格曲》被誉为二十世纪的平均律钢琴曲集,本文浅析其中第七首赋 格的独特构思使赋格这一古老的复调音乐形式散发新的生命力,表现创新之意义。
This article analyses the seventh in 《Twenty-Four preludes and Fugues》 by Shostakovich, reputed as the regular rhythm piano album in the zoth Century and through absolute thought the composer brings the traditional compound music creative ideas.
出处
《琼州大学学报》
2005年第1期62-65,共4页
Journal of Qiongzhou University