“伸子”、“莎菲”优劣论——关于《伸子》与《莎菲女士的日记》的比较研究

Comparative Study on “Noboko” and “Shafei”

宫本百合子笔下的“伸子”与丁玲笔下的“莎菲”,在叛离传统文化的过程中,虽然具有表层类似的孤独、自尊、多愁善感、以我为主的爱情观,但本质上却是完全不同的两种人物形象。莎菲是中国 20 世纪 30 年代追求个性解放、婚恋自由的女性典型形象,复杂而又真实,虐人而又自审,给人一种艺术的残缺美。伸子则是作者背离生活真实,臆造出来的观念化的追求所谓“理想”的女性符号,孤芳自赏、高大完美掩饰不了她给人的虚假感。

Although similar in their lonely, self-respecting, sentimental with their own ideas on love, Nobuko and Shafei, each depicted in Miyamotoyuriko’s and Dingling’s novels, are in essence totally different types of characters in their alienation from tradition. Shafei, a typical image of the 1930’s China in pursuing individuality and freedom in choosing her own lover and marriage, is complex and truthful,a little sadist and self-examining, giving readers artistic fragmentary beauty. However, Nobuko, a fictitious and conceptual character, embodying what the author conceives an ideal lady, indulges in self-admiration and too good to be true, cannot but give readers a false impression.