摘要
丁玲的女性书写由个性、情爱转入革命政治无疑是一种历史与艺术的必然 ,更是女性自我重构的一种努力。但她在政治书写中以“贞贞”方式、“陆萍”方式将自我予以压抑与消解的情境却无疑又是一种令人悲痛欲绝的误区。
The change of Female writing of Dingling from the topic of individuality and love to that of revolutionary politics is a necessity of history and arts and an effort of female self-reconstruction.In her political writings,with'Zhenzhen'mode and'Luping'mode,she gave herself much pressure,which is a terribly sad mistake area.
出处
《湖南广播电视大学学报》
2005年第1期89-92,共4页
Journal of Hunan Radio and Television University
关键词
女性作家
政治书写
重构与误区
Female writers Political writing Reconstruction and mistake areas