摘要
Without parallel either in history or in future the black porcelain in Song dynasty reached In its climax in tecbnulogy, style, and mond. The Jian Yang kiln in Fu Jian province and the Ji Zhou kiln in Jiang Xi Province are tv, ro well-known kilns in black porcelain prodoction. The black wares from Jian Yang kiln are sedate, simple and elegant. The black wares from Ji Zhou kiln are decorated with designs out of paper cutting, dignified and graceful In this Ihesis. the author centers on three treasures of black bowls and gives us some ideas about black porcelain.
Without parallel either in history or in future, the black porcelain in Song dynasty reached to its climax in technology, style, and mood. The Jian Yang kiln in Fu Jian province and the Ji Zhou kiln in Jiang Xi Province are two well-known kilns in black porcelain production. The black wares from Jian Yang kiln are sedate, simple and elegant. The black wares from Ji Zhou kiln are decorated with designs out of paper cutting, dignified and graceful. In this thesis, the author centers on three treasures of black bowls and gives us some ideas about black porcelain.
出处
《东南文化》
2000年第2期100-101,共2页
Southeast Culture