摘要
早期话剧是在西方话剧影响下的产物,但从戏剧审美观、编剧方法、演出形式诸方面来看,却与传统戏曲具有千丝万缕的联系,这与当时急剧动荡的社会现实、传统文化的巨大惯性、观众的审美要求和欣赏习惯有着直接的关系。早期话剧的草创者虽然没有意识到话剧创作、演出的民族化与现代化,但却以他们最早的话剧活动提出了这一戏剧理论和戏剧实践领域的重大课题。
The Chinese early stage drama is a product with the influence of the western drama, but it closely connects with the Chinese traditional opera in its drama aesthetic concepts, methods of writing play and performance forms. The fact shows that it directly has something to do with the current turbulent society, the gigantic inertia of the traditional culture and the audiences aesthetic demands and appredative habits. Although the creatiors of the Chinese early drama are not aware of nationalization and modernization of the creation and performance of the stage drama, they still put forward the important project both in the drama theory and practice sphere with their earlist drama performance.
出处
《山东大学学报(哲学社会科学版)》
北大核心
2001年第1期104-108,共5页
Journal of Shandong University(Philosophy and Social Sciences)
关键词
早期话剧
传统戏曲
民族化
现代化
early stage drama
traditional opera
nationalization
modernization