摘要
阐述了“变格”的概念及其规则和与之相关的“三仄调”问题,继之探讨了律诗的“失粘”“失对”现象,最后得出了律诗从格律上看可分为严式和宽式两类的结论。
The article explains the concept and rules of declension and the three oblique tones in detail. It also probes the phenomena of Shizhan and non-antithesis in the Lushi, makes a conclusion that the Lushi can be divided into strict style and broad style on the base of metre.
出处
《通化师范学院学报》
2005年第1期84-86,共3页
Journal of Tonghua Normal University