摘要
感兴、意象和境界是审美经验范畴。动态地看,它们可用来描述人类审美心理的三个阶段;静态地看,它们又代表了人类审美经验的三个层次。"感兴"范畴揭示了人类审美意识发生时的情形,解释了审美经验从无到有的起始性环节。"意象"范畴代表的则是继起性的审美经验。"境界"乃人类审美经验之最后成果,美感之高峰体验。从"感兴"到"意象"再到"境界",正可较完整地勾勒出人类审美经验之基本环节。这三个源自中国古典美学的范畴充分体现了人类审美活动的观念性质、感性特征和精神深广度。
Invigoration, imagination and spiritual realm are aesthetic categories. We can describe the three stages of aesthetic mentality dynamically as well as the three levels of aesthetic experience statically. The three categories of Chinese classic aesthetics show the idea nature, sensible character and the depth and extent of aesthetic activity
出处
《烟台大学学报（哲学社会科学版）》
北大核心
2005年第1期57-61,120,共6页
Journal of Yantai University(Philosophy and Social Science Edition)
关键词
感兴
意象
境界
美感
invigoration
imagination
spiritual realm
aesthetic experience
