董源的绘画艺术与南宗山水图式管窥

Study on the Painting Art of DongYuan and the Landscape Painting Model of Nanzong

董源的山水画对“文人画”的发展有着深远的影响, 被尊为南宗“文人画”图式创造的宗师。尽管囿于时代局限, 他的山水画并未逸出隋唐以来再现自然的要求, 并与后世成熟的文人画在价值观上无本质的内在联系。但他所创造的山水图式从视觉效果上契合了文人画对自然山水的观照态度和感觉方式, 为以写意、表现为特征的“文人画”提供了一个可能的框架。

Dong Yuan,whose landscape painting has exerted great influence on “scholars’painting”,is reverented as the founder of “scholars’painting”model of Nanzong.Although his landscape paintings,confined by the time,do no more than“reproducing the nature”,the requirement preveiling since Sui and Tang Dynasties,and have no inherent bearing with the latter matured“scholars’painting” in value,however,his painting model,accords with the attitude and feeling“scholars’painting”painting to the nature in sight effect.Therefore,it provides a possible framework for“scholars’painting”characterized by freehand brushwork and intensive show.