摘要
新时期以来,长期垄断戏剧领域的僵化创作模式,早已成为横在艺术家心中的一道迷墙,阻断艺术天性接通真实、自然与梦境的才力。“第四堵墙”便不仅仅是“第四堵墙”,它不仅使戏剧囿于封闭的思维定式,限制了艺术家驰骋的想象力,更是一种阻挡历史前进的陈旧的、需要与之革命的意识形态的象征体。传播的藩篱需要有先锋的冲击,实验的精神借着对固有艺术体制的深刻怀疑,寻求戏剧生长的诸多可能性。
Since the New Period the stifling creation mode dominating in the drama field has become a wall for artists,blocking the collection of art and reality. The Fourth Wall restrains the imagination of the artists, and symbolizes the out-dated ideology. The experimental spirit tries to seek the growth possibility of drama.
出处
《湖南文理学院学报(社会科学版)》
2005年第2期42-47,共6页
Journal of Hunan University of Arts and Science:Social Science Edition
关键词
实验戏剧
第四堵墙
先锋姿态
演员
台上
台下
experimental drama
the Fourth Drama
pioneering spirit
actors
on the stage
off the stage