摘要
本文简要回顾了剧种板类划分现状与弊端,并据历史戏论相关文献及艺术实践的积累,论述了中国戏曲音乐板类的划分与称谓。所确立的“三分法”为中国戏曲音乐各种板式的归类,阐明了实践与理论依据。
The paper briefly reviews the division of beats in drama and points out the defects.Referring to relative dramatic materials in history and artistic practice,it expounds the division and nomenclature of beats in music of traditional Chinese opera.The three-type dividing method provides both practical and theoretical basis for the division of various types of beats in music of traditional Chinese opera.
出处
《浙江艺术职业学院学报》
2005年第1期69-72,共4页
Journal of Zhejiang Vocational Academy of Art