定位与错位——影视改编与文学研究中的"红色经典"

Positioning and Displacement:the " Red Classics" in Their Adaptation to Movies and in Literary Studies

本文分析"红色经典"在影视改编和文学研究中存在的错位和尴尬,指出对"红色经典"的确切定位是其资源再开发和再解读的必要前提。本文以还原历史的方式,阐释"红色经典"创造新的文学范式的成就,揭示它所具有的现代民族史诗的基本特征、相应的人物形象和性格刻画上的特色,以及它所具有的写实与传奇、典范与通俗并存的特性,反对将其日常化、平庸化和戏说化的时风。

This paper discusses the displacement and dilemma of the ' Red Classics' in their adaptation to movies and in literary studies. It posits that the accurate positioning of these classics is prerequisite to their redevelopment and rereading. By way of historical reduction, it tries to interpret their achievements in creating new literary paradigms and to demonstrate the fundamental features of these modern epics of the nation with their special features in characterization, the co-existence of reality and legends and of exemplification and popularization in opposition to the fashion of their rou-tinization, vulgarization and dramatization.