对山水国画中应物象形理论的思考与探析

The Thinking、Analysis and Exploration to the Spectacle Viewing Brushwork Theory of Sinitic Landscape

本文以自己多年从事山水画创作学习的实践为基础,从理论探讨和实际应用两个层面上,对山水画创作中的识、应、感、物、象、形、画之间的逻辑关系进行了分析;提出了识物、感物、应物的观物认知的三个水平层次划分和立象、凝形、成画三个艺术创作环节之间的辩证关系浅说以及对应物象形画理的一些思考。

This paper bases on the author's practice of undertaking landscape creation learning for many years, and analyses the logical connection among cognition、recept、telepathy of thing form、object design、figure design and drawing creation from theory discussion and practical application.This paper also puts forward three level arrangement partition of spectacle cogntion,thing knowing、thing recept and thing telepathy;elementary introduction of dialectic connection among three art creation,thing visualisation establishing、drawing visualisation conceiving and bruswhork creating;and some thinking for the spectacle viewing brushwork theory.Key Works:Landscape;Interaction between people and nature;Object form;Printing shape design;Creation