纯粹的城堡还留在世上——《画梦录》的文体特征及其文化意味

The Stylistic Features and Cultural Meanings of He Qifang’s Huamenglu

本文认为何其芳的《画梦录》形成了一种独立的抒情诗体——独白体散文诗。“画梦体”这种文体形成的内在驱动除了故乡情结以外,更多的决定于诗人个人的艺术气质和对中西艺术创造性的现代选择。《画梦录》是建筑在个人记忆上的,那些个人记忆拒绝被历史简单同化。

This paper holds that He Qifang had created an independent lyric style in Huamenglu—monologic prose poem. The internal driving force to form this style is not only from the hometown complex, but also from the poet’s personal art temperament and his choice of the creativity of the Chinese and Western arts. Huamenglu is based on one’s personal memories that cannot be simply assimilated by history.