摘要
邢岫烟形象对于《红楼梦》的情节结构安排、细节描写渲染、烘托主要典型形象等方面起到了多种的审美作用,其突出表现在,一、金线贯串珠玑:映衬主线;钩玄拘影;抽丝牵藤。二、间色图案缀锦:浓淡冷暖相间;明晦疏密相映。三、云烟拥绕峰峦:使全书所反映的故事情节生动性和人物生活环境真实性进一步增强;使全书所反映的故事情节的延展性和人物社会生活的广泛性进一步扩大;使全书所反映的典型形象的立体性和多面性进一步显豁。由邢岫烟形象可窥见次要人物在《红楼梦》巨著中具有不可或缺的过渡、映照等妙处。
In A Dream of Red Mansions, the image of Hsing Hsiu-yen plays a variety of aesthetic roles in plot arrangement, detail description, and character presentation. Her occasional appearances in different chapters keep the story going on smoothly and naturally, dot and her descriptions provide a foil to set off main characters.Make the stories more vivid, the living environment more authentic.Further plot development and enlarged social space bring about a multidimensional revelation of the typical images.The analysis of the image of Hsing Hsiu-yen results in a conclusion that minor parts in A Dream of Red Mansions are a necessity which enjoys such merits as transition and contrast.
出处
《安徽农业大学学报(社会科学版)》
2005年第1期102-105,109,共5页
Journal of Anhui Agricultural University:SOC.SCI.