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论元代婚恋杂剧中的女性自我意识 被引量:5

A study on women's self-consciousness in Yuan operas on marriage
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摘要 与前代同类题材的作品相比,元代婚恋杂剧中的女性自我意识普遍增强。剧作中的女性大都自尊自重,不卑不亢,向往人格自由,争取平等做人的权利,渴望具有情感内核的合理婚姻。蒸腾在她们身上的人格魅力,对封建社会后期文学的演进,乃至女性为争取人权独立的斗争,都起到了不容忽视的昭示作用。 Compared with literary works of the earlier dynasties, women's self-consciousness in Yuan operas on marriage were generally enhanced. Most of them could esteem and possess themselves without inferiority and arrogancy. They yeaned for freedom of personality, equal rights as human beings and ideal marriage with affection as core. The respectable charms of humanity and personality embodied in them have played an unneglected guiding part in literary evolution and women's fight for independence of human rights in the late feudal society.
作者 郭丽
机构地区 河南大学文学院
出处 《信阳师范学院学报(哲学社会科学版)》 2005年第2期95-99,共5页 Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
关键词 元代 婚恋杂剧 自我意识 人性 人权 人格 Yuan dynasty operas on marriage self-consciousness humanity human rights personality
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参考文献3

  • 1[3]况周颐.断肠词·跋[M].杭州:浙江古籍出版社,1985.
  • 2[5]刘文俊.唐律疏议笺解[M].北京:中华书局,1996.
  • 3[7]陶宗仪.辍耕录(卷一七)[M].北京:商务印书馆,1936.

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