苏轼创作思想的现代梳辨

A Contemporary Study of SU Shi’s Thoughts On Literature Creation

人们早已普遍认识到苏轼的文学创作给后世寂寞的文人所带来的长时间欣喜,然而,学术界却并未像我们认识苏轼的文学成就一样去正确估价其丰富而深刻的创作思想,他所提供的原创性文艺理论资源也未得到有效利用。这种状况,无论对于苏轼本人抑或对于后世读者,都是不公正的。从现代写作学的角度观察,不难发现,苏轼在其一系列诗词文章特别是与友人的往来书信中,比较系统地提出了他的文艺创作思想。主要包括作家修养论、创作目的论、艺术构思论、文本和谐论、作品风格论。

It is widely accepted that SU Shi’s literature creation has been a lasting joy to writers of later ages. However, in the academic world, his profound thoughts on literature creation haven’t been equally recognized as his literary works, and his originative literature theories haven’t been effectively applied to practice, which is either unfair to SU Shi or to readers of the later ages. In the perspective of contemporary writing theory, it is easy to find that SU Shi has put forward a systemic series of thoughts on literature creation in his writings including the letters to his friends. In brief, through his efforts in practice as well as in theory, SU Shi has made great contributions to the literature creation theories with Chinese characteristics.