摘要
西方传统哲学为了更好地说明现象世界而创造了一个理念的世界,认为现象世界是假,理念世界是真;人的理性是达到理念世界的途径。从这种哲学观出发,传统形而上学高扬科学而贬低艺术。但科学对事物的把握是机械的、数字化的,不能把握事物的生命感。处于现代社会的人也并非如哲学的初衷所设想的和谐完善,相反,现代人被沦为机器的奴隶,现代人的精神处于极度的不安之中。原因是传统哲学独尊科学、贬低艺术所致。因此,我们应倡导科学与艺术的和谐,既要用科学的眼光去认识世界,使之能达到清晰、精确,同时也要用艺术的“眼”和“心”去把握事物,体验事物的情调和生命,用艺术去引导人与人、人与自然的和谐。
Western traditional philosophy founded the world of idea, denied the truth of the world of phenomenon, respected rationality and depreciated perception. Basing on this point of view, traditional philosophy denied art, praised science and promoted the development of science. But things are machinery and numeral, science is powerless to grasp the life of things. And the modern men are dropped to things as the slaves of machine and their spirits are very restless. The article advocates the harmony between science and art,and suggests that we should not only grasp the world from the point of science in order to make the things clear and accurate,but also from the point of art, pondering the meaning of things, leading to the spiritual harmony of men.
出处
《广东教育学院学报》
2005年第2期10-14,共5页
Journal of Guangdong Education Institute