摘要
学术界对《狂人日记》和《长明灯》中的“狂人”形象都做了深入的挖掘和丰富的阐述, 但研究者对此两部作品不是一概论之, 就是并列或者个案研究, 没有看到这两部作品内在的思想联系。本文试从鲁迅对这两部作品中的“狂人”形象刻画的变化来探讨鲁迅思想的变化, 以及他对中国社会现实和国民性的一贯思考和深入认识。
The academic circles have done some further study and abundant discussion of the ‘madman’ image in A Madman’s Diary and Chang Ming Deng.But the pursuers either studied the two works as a whole,or made some parallel or case study,yet didn’t see the internal relationship of thinking in the two works.This article tries to discuss the change of Lu Xun’s thinking through the change of his depiction of the ‘madman’ image in these two works,as well as his persistent thought and in-depth cognition of Chinese social reality and national characteristic.
出处
《安康师专学报》
2005年第2期73-75,共3页
Journal of Ankang Teachers College
关键词
《狂人日记》
《长明灯》
狂人形象
思想变化
A Madman’s Diary
Chang Ming Deng
the madman image
change of thinking