摘要
论文通过对《天下无贼》和《盲井》两片在影像风格、叙事元素、人文意蕴等方面的对照式解析,分析论证了构成“好电影”的基本要素,同时还对商业电影与艺术电影审美品格的某些认识误区作出澄清。
Through a comparative analysis of A World without Thieves and The Blind Well in terms of image styles, narrative elements, and humanistic connotations, this paper discusses and demonstrates the basic elements that constitute a “good film.' It also clarifies certain misunderstandings of the aesthetic characteristics of the commercial and artistic films.
出处
《南京师范大学文学院学报》
2005年第1期51-53,共3页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
《天下无贼》《盲井》
商业电影
艺术电影
审美认知
A World without Thieves
The Blind Well
commercial film
artistic film
aesthetic cognition