摘要
“深美闳约”是王国维先生在《人间词话》中对冯延巳词的评语,但王先生本人及以后的引用者并没有详细分析这种艺术风格的构成。本文试图立足于冯词文本自身,结合词史之发展,从性别视角与意蕴空间,时间状态与生命体验,意象选择与意境拓展三个方面阐释冯延巳词“深美闳约”艺术风格的构成,并指出其在词史发展中的重要意义。
Concise but beautiful”is WANG Guo-wei’s comments on FENG Yan-shi’s Poem in his book Best Poem Anthology. However Mr. Wang and the on-coming quoters fail to give a detailed analysis on the constitution of this artistic style. Therefore, this essay, based on FENG Yan-shi poem itself, with the historical development of poems taken into account, tries to analyze this issue from three aspects: sex and space meaning of symbolize, time and life experience, and the choice of image and the expansion of artistic conception, so as to interpret the make-up of its artistic style and highlight its significance in the historic development of Chinese poem.
出处
《三峡大学学报(人文社会科学版)》
2005年第2期37-40,共4页
Journal of China Three Gorges University(Humanities & Social Sciences)