摘要
徐志摩在诗艺方面的探索是动态、多向而具有开拓性的,经历了早期的浪漫主义到后期带有鲜明倾向的现代主义诗风的转变。徐志摩早期选择以理节情的美学原则,建构起新古典主义的诗歌范式。后期汲纳了王尔德、哈代、布莱克、艾略特等人的现代诗艺,并热衷于象征主义先驱波德莱尔以及后期象征主义诗风,体现了现代主义的审美意识。
The exploring of XU Zhi-mo’s poem isdynamic, complex and exploitative, because he has come through from Romanism in early days to later stage modernism. In his early life, he chooses this aesthetic principle “taking sentiment under the control of reasoning”, setting the paradigm of Neoclassicism poetry. In the late part of his life, he accepts some modern poem skills from Wilde, Hardy, Blake, Eliot’s modern art, and is fond of the style of post-symbolism of Baudelaire, the herald of this school, incarnating the aesthetic conceptions of Modernism.
出处
《三峡大学学报(人文社会科学版)》
2005年第2期44-47,共4页
Journal of China Three Gorges University(Humanities & Social Sciences)