摘要
朝鲜半岛的古代音乐,在其发展过程中,一直接受了中国音乐的影响。特别是其中宫廷音乐的主体%D%D被称作“雅乐”的祭祀音乐和被称作“唐乐”的燕飨音乐%D%D其骨干都是来自中国的音乐。该文根据保存于韩国的历代文献,对朝鲜半岛的古代音乐及其典籍作了概括论述。本文认为:这宗文化遗产是中国音乐及其理论同朝鲜本土文化相融合的产物;它既可以说是朝鲜人民的创造,也可以说是中国音乐的再生形式。因此,朝鲜半岛的古代音乐史料是中国音乐史研究资料的重要组成部分,韩国学者的工作是中国学术的必要借鉴。
The Korea ancient music has been influencing during the process of developing, especially the main body of royal court music, the sacrifice music named gagaku and the banquet music named tanyue, its major part come from Chinese music. From the past dynasties literatures in South Korea, the article summarized the ancient music in Korea peninsula. The writer held that this cultural bequest being the result of a fusion of Chinese music with theory and the Korea local cultures. It is a creation by Korean and also a rebirth shape of Chinese music. Thereby, the historical materials of the ancient music in Korea peninsula is an important constitution part of the research information to the Chinese music history, and the work by Korea scholar is a necessary reference to the China academia.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2005年第2期14-25,13,共13页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
朝鲜半岛
古代音乐
音乐文献
Korea peninsula, ancient music, musical literature