贝尔格《钢琴奏鸣曲》(Op.1)的线形对位

The Linear Counterpoint in Alban Berg's Piano Sonata Op.1

贝尔格《钢琴奏鸣曲》Op.1是二十世纪自由无调性手法作品之一。“线形对位”是该作品创作中的重要技法,对比式、模仿式及偶成式的线形对位使该作品的各声部横向线条高度独立,自由进行,半音化风格加强,作品的调式调性被削弱,自由无调性手法得以强调。

Alban Berg Piano Sonata Op.1 was one of the compositions with the method of free atonality in 20th century. The linear counterpoint was an important technique used in that work. Various linear counterpoint modes such as contrast, imitation, and aleatory made the each voice of the work very independent in horizontal line, freely process, strengthened the style of chromatic, therefore, the modes and tonality of the work were weaken and the free atonality emphasized.