瓦格纳乐剧《尼伯龙根的指环》中主导动机的初探(下)

My Opinion Upon The Leitmotiv of The Nibelung's Ring by R. Wagner

主导动机是瓦格纳乐剧《尼伯龙根的指环》中表达剧情的重要手段。本文对该剧中的一些主要动机进行了简明的梳理,阐述了它们的来源、形态特征、表达的意义和相互间的关系,并从绘景、状物、拟人以及叙情四个方面进行归类,最后还拟出了一个《指环》动机的简表,意在给人们对该剧的主导动机产生一个初步的认识[本文(上)发表在《黄钟》2005年第一期]。

The Leitmotiv is an important method to express the plot in Wagner's music drama The Nibelung's Ring (Der Ring des Nibelungen). The article organized some main motives of the drama, expatiated their source, shape features, expressive meaning and relation among each others, and moreover, classified them from four aspects: portraying scenery, describing object, personifying and narrating. The writer made a simple list of the Ring motives to help audience to get general idea of the opera's Leitmotiv.