摘要
《普庵咒》是我国琴曲中的代表作之一,现今传承的琴曲《普庵咒》有众多的版本,在众多的版本中,以《栩斋琴谱》本的琴曲《普庵咒》流传最广。而明代、清代与当代流传的琴曲《普庵咒》关系如何,是文章要论述的问题。
Pu'an Incantation was a representative collection of qin-music, and there are various editions of Pu'an Incantation nowadays. Among the different versions, the most popular one was collected in the Xu Zhai Qin-Music. The major issue discussed in the article is the versions relationship of qin-music Pu'an Incantation among Ming Dynasty, Qing Dynasty and the modern one.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2005年第2期79-83,95,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
《普庵咒》
琴曲
传承
Pu'an Incantation, qin-music, impart and inherit
