摘要
明确概念之内涵,是“建立我们自己的基本乐理”所面临的首要问题。“传统七声音阶”作为“民族乐学理论”中一个重要而基本的概念,其内涵至今尚不能明确。对它的研究始终处于一种“无序”的“非理性”状态,因而导致称谓繁杂、阶名不一、理论相悖。
To define the connotation of the conception is the chiefly issue face to set up our own basic music theory. That the seven notes of China's ancient scale is one of the important and basic ideas for Chinese traditional music study, unfortunately, its connotation not definitude up to the present. Its research is in an non-rational estate for out-of-order, therefore to bring on the titles miscellaneous, names of scales various, theories confused.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2005年第2期84-88,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
传统七声音阶
称谓
阶名
理论
the seven notes of China's ancient scale, title, scale name, theory