摘要
本文通过对斯特拉文斯基所处时代的社会现实、哲学和美学思想等方面的剖析,可以使我们更加深刻理解和认识《音乐诗学》中所体现的形式自律论的音乐美学观。
The thesis can make us understand the musical aesthetic of formautonomy embodied in Poelique musicale more deeply in the way to analyze the reality,the thought of philosophy and aesthetic etc. of the times of Stravinsky.
出处
《星海音乐学院学报》
2005年第1期16-19,共4页
Journal of Xinghai Conservatory of Music