摘要
楚绘画是中国上古时期水平最高和最有时代特色的绘画之一。它涵盖了后世中国画人物、山水、花鸟分科的基本题材,基本上确立了中国画的工具材料和造型语言,并能以概括性较强的形色语言表现对象的神韵;已初步形成了中国绘画散点透视的特点,对汉代绘画及后世中国绘画格局的形成意义至关重大。其造型、图式和色彩不仅具有形态学意义而被后世直接继承,更为重要的是,它所包含的艺术要素和艺术精神影响了整个艺术史的发展走向。
It embraces all subjects of figures,mountains,rivers,flowers and birds,by which the tools,materials and creating language for the Chinese paintings are basically established,the romantic charms of the objects can also be presented by the colour and language with stronger description,the features of spotting view for the Chinese paintings are initially established,which is great significance of morphology and has been succeeded directly by artistic sphere,furthermore,the artistic elements and spirits it covered influence the orientation of art development in China.
出处
《长江大学学报(社会科学版)》
2005年第1期1-5,9,共6页
Journal of Yangtze University(Social Sciences Edition)