中国影视艺术中的本土“叙事话语”试探

On the Local Narrative Discourse in Chinese Movie and Television

叙事是一种认知模式,表达模式;叙事是一种生活模式、行为模式,它普遍存在于生活原貌之中;叙事作品是精神产品,叙事话语受社会意识形态所支配。因此,叙述艺术作品中的叙事性和叙述思维中的叙事性、生活中的叙事性是叙事研究的三个重要视角。同时,叙事话语与其他话语有强烈的粘合性,因此,"民间叙事"也真实地置身于诸如"现代性宏大叙事"、"知识分子叙事"等众多话语环境中,它们共同形成今天叙事研究的复杂结构。中国影视艺术植根于中国本土地域文化土壤,是当地人在当地的叙事生活上认知、表达世界的一种模式,影视艺术中的"本土叙事"研究走到今天,更应跳出文学文本的研究领域,在相对微观的本土影视作品中,寻找艺术形态世界中的更多内部规律。

Narration is a kind of cognitive pattern and expressive pattern; it is a kind of life style and behavior mode, generally existing in life itself. Narrative work is spiritual product; therefore narrative discourse is dominated by social ideology. Thus, narration in narrative art products, in narrative ways of thinking and in life itself is three important angles in narrative research. Meanwhile, narrative discourse has strong bond with other discourses, so 'folk narration' truthfully places itself in the numerous discourse settings such as 'modernized broad narration' and 'intellectual narration', which together become the complex structure in today's narrative research. Rooted in China's own soil of regional culture, Chinese art of movie and television is a pattern of cognition and expression for the local people in their narrative life. Today the research of 'local narration' in the art of movie and television should jump out of the research fields in literary texts, but to search for more interior rules in the artistic world from the relatively local movie and television works.