《子虚赋》、《上林赋》:艺术转型与新范式的确立

On the Artistic Transition and the Establishing of New Literary Modals: Concerning Two Pieces of Prosodic Prose Nothingness and Upper Woods

《子虚赋》、《上林赋》在写作时间上跨越十年。十年间,汉代中央王朝与诸侯关系巨变,司马相如本人的经历与认识都发生重大变化,导致作品中所表现的使臣意识、汉家意识和审美取向有明显的转换。《子虚赋》、《上林赋》为汉代文坛确立了新的艺术范式。

The working period of the two pieces of prosodic prose (赋,fu)Nothingness and Upper Woods spanned across one decade. Meanwhile, The relationship between the Central Court and various princedoms had undergone a great change, which produced the oblivious transformation of a series of political concepts and aesthetic choices. Therefore, we may say that the two pieces of prosodic prose, Nothingness and Upper Woods,has established new literary modals for the literary circles in the Han Dynasty.