摘要
鲁迅在中国现代文学史上第一篇真正意义的白话小说《狂人日记》中,通过狂人的独白,深刻地揭示了封建家族制度和旧礼教“吃人”的本质。在海峡那边的文坛重镇杨云萍深得鲁迅先生《狂人日记》的精、气、神韵,于1928年创作短篇小说《秋菊的半生》,描绘出一幅地狱中血淋淋的将人“炸着吃”的图画,同样也让人读出我们民族的巨大忧患。
In A Madman's Diary,the first true-to-the-name novel written in modern Chinese in the history of China's modern literature,Lu Xun incisively exposes,through a madmans monoloque,the true nature of the cannibalistic feudal family system and the old ethical code. Yang Yun-ping, a famous writer in Taiwan, created The Half of Qiu Jus Life, a short story,in 1928 after absorbing some spirit,vigor and romantic charm.The story depicts a vivid picture of men eating “deep-fried” men,in this way the great suffering of our whole nation finds full expression.
出处
《辽宁大学学报(哲学社会科学版)》
北大核心
2005年第3期53-56,共4页
Journal of Liaoning University(Philosophy and Social Sciences Edition)
关键词
秋菊的半生
狂人日记
海峡两岸
同声相应
Half of Qiu Ju's Life
A Madman's Diary
two coasts connected by Taiwan Straits
distant echo