摘要
气是中国美学最重要的范畴之一。魏晋玄学"气"范畴具有特殊的本体论蕴涵,这种蕴涵在王弼、郭象及东晋后期张湛等的阐释中,愈来愈与人生的存在境遇和境界抉择相联结。本文认为,"气"范畴蕴涵在魏晋时期所发生的衍变,深刻展示了人生价值追求的深层次之美,它通过对人生观从执着到解脱的意趣逆转,反映了中国人在魏晋时期实现了超越生死的审美自觉。
The Qi is one of the most important categories in Chinese esthetics.As one of the metaphysical categories of Wei Jin,it possesses special ontological significance and is combined with the existential circumstances and choices of life in the explanations of WANG Bi,GUO Xiang and ZHANG Zhan.This paper thinks that the development of Qi category occurred in Wei Jin,deeply displays the deep meaning of life value pursut,and reflects the esthetic consciousness of self to surmount life and death.
出处
《常熟理工学院学报》
2005年第1期78-82,共5页
Journal of Changshu Institute of Technology
关键词
魏晋玄学
气
本体论
蕴涵
审美自觉
中国
美学
metaphysical aesthetics
Qi
ontology
implication
esthetic consciousness of self
