摘要
作为"自乐"、"乐时"与"乐万物之自得"的诗歌,"邵康节体"诗歌以"自在"取胜。它在诗学途径上空诸依傍,在写作心态上随意闲适,不讲究格律的经验和语言表达艺术,是宋代诗歌主流之外的别调。但这并不意味着邵雍诗歌与时代诗歌风尚完全分离。在自在和自得的创作心态支持下,他将所谓的"宋型诗歌"带向了诗歌这种文体所能承受的变异之极限,到达了诗与散文的分界线。
As poetry of 'since happy' and when being happy, and on 'happy everything contented', Shao Yong's poetry is superior to other's for its 'unrestraint'. His poems written with leisure and without paying any attention to poetic rules and forms, are just an alternative type beyond the mainstream potry during the Song Dynasty. However, this does not mean his poems are separated from those of that time. As a matter of fact, he has brought the so-called 'Song-type poetry' to its extreme and to the very demarcation line between poetry and prose under the impetus of his joyful and cheerful psychology.
出处
《山东师范大学学报(人文社会科学版)》
北大核心
2005年第2期46-49,共4页
Journal of Shandong Normal University(Humanities and Social Sciences)