摘要
在20世纪整体的文化转型背景中,在现代性的研究视野中来考察女性写作的嬗变过程,就会发现女性写作的本质目标就是获得双重的自我主体身份的确证。当我们对轰轰烈烈地演进了一个世纪的中国现代女性文学进行现代性反思时,发现女性自我身份的认同出现了一个令人惊异的循环轨迹,经过100年的求证又回到了原点,女性主体身份非但没有得到确证的自由,反而出现大面积的驯服与溃退,究其原因恰恰是这双重身份在确证过程中的错位与迷失。
In the context of the transformational period of Chinese culture during the 20th-century, if the evolution of Chinese women's writings is to be examined in terms of modernity, the essential goal of these writings is to obtain a double justification of the women's subjective identity. Re-thinking the modernity of modern Chinese women literature developed dynamically during the last century, it will be found that the feminine self-identification has undergone an amazing cycle. That is, after one hundred long years, its seeking for justification had again come back to its starting point: the feminine subjective identity has not only obtained its freedom to be justified, but has been enormously retrogressive as well. The reason for this just lies in the dislocation and bewilderment in the double justification the women's identity.
出处
《山东师范大学学报(人文社会科学版)》
北大核心
2005年第2期63-66,共4页
Journal of Shandong Normal University(Humanities and Social Sciences)