黄梅戏美学略探

On the Aesthetics of Huang Mei - Xi

黄梅戏作为我国戏苑中的一支,已经经历了半个多世纪的风雨。通过回顾黄梅戏艺术的发展历程,对黄梅戏在此过程中形成的两个主要美学特征作初步的探索:其一是融有地方特色的唱、念、做、舞为一体;其二是表演有程式而非程式化,人物分行当而又超越行当。黄梅戏独特的美学特征具有独特的审美价值和美学意义,期望黄梅戏能够在戏曲家族中繁荣发展并走向世界。

As one kind of Chinese theatricals, Huang Mei-Xi has developed for more than half a century. Through looking back its hiStory, the article tries to do some rudimentary exploring Of its native features. These typicle features have great characteristic aesthetic valve and meanings.