期刊文献+

中国武侠电影与宗教伦理 被引量:12

Chinese Martial Arts Movie and Religious Ethic
下载PDF
导出
摘要 与好莱坞电影不同,中国武侠电影保持了主流电影二元对立的叙事结构,由于宗教的介入,中国武侠电影叙事体系中出现了“第三种力量”,改变了二元化叙事格局,也改变了武侠电影的精神模式。中国电影巧妙地将宗教伦理与影片叙事情节交融起来,宗教伦理在为正义力量提供合理道德依据的同时,通过皈依宗教流露出否定暴力的“出世情结”,使中国武侠电影的文化精神在世界动作影片的历史序列中独树一帜。 Dissimilar to the Hollywood movie, Chinese martial arts movie adheres to the traditional dualistic contradictory narrative structure of movie. Due to the intervention by religions, 'the third power' emerged in the narrative system of Chinese movie, which has changed the dualistic narrative pattern, as well as the spiritual mode of martial arts movie. Chinese martial arts movie subtly combines religious ethic with narrative scene, and religious ethic, showing reasonable moral grounds for justicial power, indicates the complex of 'stand aloof from worldly affairs' against violence by converting, resulting in the cultural spirit of Chinese martial arts movie developing a school of its own among the history of International action movies.
作者 贾磊磊
出处 《西南师范大学学报(人文社会科学版)》 CSSCI 北大核心 2005年第3期152-155,共4页 Journal of Southwest China Normal University(Philosophy & Social Sciences Edition)
关键词 武侠电影 宗教伦理 叙事形态 martial arts movie religious ethic narrative pattern
  • 相关文献

参考文献1

  • 1(美国)约翰·霍奇金斯[J].沙漠风暴之后[J].世界电影,2004,(2):8-8.

同被引文献65

引证文献12

二级引证文献23

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部