摘要
明人对韦应物五言古诗的评价,从“陶韦”并称到“六朝余波”,再到“唐体之小偏”经历了一个曲折的过程,这一演变过程,使韦应物诗歌研究走向深入,体现了明人古诗与唐诗观念以及研究方法的发展变迁,一定程度地反映了明代唐诗学与复古诗论的复杂关系。
Critics in the Ming Dynasty have commented on Wei Yingwu's five character verse in such ways as ranging from following Tao Wei, Six Dynasties, to Tang styles. This variation reflects a hard progress of transition, through which the studies of Wei Yingwu's poetry get improved. This speaks for the historical change of the attitudes towards the poetry of Ming and Tang Dynasties, in addition to the complicated relations between the poetic studies and concepts of restoration.
出处
《河北师范大学学报(哲学社会科学版)》
北大核心
2005年第3期67-71,共5页
Journal of Hebei Normal University(Philosophy and Social Sciences)