摘要
《弄真成假》是一幅僭越时代常情睽离“救亡”洪音的文学图景。从审美视域重读它可见其喜剧语境的谐谑意味和延伸出的“味外之旨”——“无言的哀戚”。
Yang Jiang's comedy Making True Become False depicts a literary picture that oversteps the historical situation and deviates from the national salvation. If we reread it from a perspective of aesthetics, we may see its sense of banter and the extended hidden meaning-silent sadness in the comedy context.
出处
《西南交通大学学报(社会科学版)》
2005年第3期83-86,101,共5页
Journal of Southwest Jiaotong University(Social Sciences)