摘要
作为后工业社会的一种泛文化现象,后殖民主义反对现代主义所提出的“中心”,反对权威主义和等级制度。后殖民主义影视文本反对标准,反对规则,失去了替自己辩护的依据。它要解构一切,自己也未能逃脱被解构的命运。后殖民主义影视文本弥补了文化激进主义的某些缺陷,但是它又放弃了启蒙立场,把现代化的基点移向传统文化,认同和赞美现实,抛弃了批判的武器。后殖民主义影视文本以本能释放和冲动自由为旗帜,猛烈冲击现代社会的价值观念,撞击着心灵的禁忌与历史的戒律。
As a pan-culture phenomenon in the post-industry society the post-colonialism opposes the Modernism's 'centre' argumentation opposes authority and hierarchy. The post-colonialist film and television texts are against criteria against rule and therefore lose their own basis. They deconstruct everything and are themselves unavoidably deconstructed. They retrieve some drawbacks of drastic culture nevertheless they also abandon their enlightening stance moving the modernized axis back to traditional culture identifying with and eulogizing reality and throwing away the weapon of criticism. These texts hold the flag of instinctive outlet and impulsive freedom and violently impact on the social value system the taboo of the soul and the fetters and rules of history.
