小提琴演奏的五区位运动结构

The Five - District Movement Structure of Violin Playing

文章提出了小提琴演奏的5个区位运动结构,认为小提琴演奏的所有姿势和动作都是建立在5个基本的区位之上的,它们构成了一个互相合作的整体。发挥良好的小提琴演奏技术必须依赖于一个整体系统,因而主张通过调整、控制与人体、小提琴演奏密切相关的5个区位的运动,使人体和乐器间获得更有效的协调并发挥整合效能,从而提高艺术表现层次。

This paper puts forward a theory of the 5 - district movement structure of playing the violin. The paper argues that all postures and movements of a violin player can be divided into 5 districts and that they constitute an interactively integrated entirety. As a good performance of playing the violin necessarily depends on an integrated system, adjustment and control of the 5 -district movement, which is closely related to the violin playing and the violinist' s body, will bring about more efficient harmony between the violinist and the instrument, thus enhancing the artistic performance.