摘要
1924—1926年里,鲁迅创作了《彷徨》、《野草》、《华盖集》、《华盖集续编》及《坟》中的部分作品。三种体裁的文学作品呈现的精神面貌殊异。造成这种现象的原因,除了文体要求外,更是作家主体复杂心理构成的表征。在原有心理基石和现实生存“场”的酿造下,悲剧意识和自我意识是这个时期鲁迅创作心理构成的核心。
During the period of 1924 to 1926, Lu Xun created 'Loitering' 'Weeds' 'Sequence to the Huagai Collection' and part works of the 'Graveyard'. The difference of mental appearances presented in the literary works of three styles is not only the demand of the styles but also the show of the author's complicated psychological structure. Under the brew of the original psychological cornerstone and realistic existing places, tragedy consciousness and self-consciousness is the core of Lu Xun's creation structure at this period.
出处
《临沂师范学院学报》
2005年第2期55-58,共4页
Journal of Linyi Teachers' College
关键词
鲁迅
创作心理
心理基石
悲剧意识
自我意识
Lu Xun
creation psychology
psychological cornerstone
tragedy consciousness
self-consciousness
